Chapter 8
Chapter VIII

As thoughts of Pete came to Maggie's mind, she began to have an intense dislike for all of her dresses.

"What deh hell ails yeh?  What makes yeh be allus fixin' and fussin'?  Good Gawd," her mother would frequently roar at her.

She began to note, with more interest, the well-dressed women she met on the avenues.  She envied elegance and soft palms.  She craved those adornments of person which she saw every day on the
street, conceiving them to be allies of vast importance to women.

Studying faces, she thought many of the women and girls she chanced to meet, smiled with serenity as though forever cherished and watched over by those they loved.

The air in the collar and cuff establishment strangled her. She knew she was gradually and surely shrivelling in the hot, stuffy room.  The begrimed windows rattled incessantly from the
passing of elevated trains.  The place was filled with a whirl of noises and odors.

She wondered as she regarded some of the grizzled women in the room, mere mechanical contrivances sewing seams and grinding out, with heads bended over their work, tales of imagined or real girlhood happiness, past drunks, the baby at home, and unpaid wages. She speculated how long her youth would endure.  She began to see the bloom upon her cheeks as valuable.

She imagined herself, in an exasperating future, as a scrawny woman with an eternal grievance.  Too, she thought Pete to be a very fastidious person concerning the appearance of women.

She felt she would love to see somebody entangle their fingers in the oily beard of the fat foreigner who owned the establishment.  He was a detestable creature.  He wore white socks with low shoes.
When he tired of this amusement he would go to the mummies and moralize over them.

Usually he submitted with silent dignity to all which he had to go through, but, at times, he was goaded into comment.

"What deh hell," he demanded once.  "Look at all dese little jugs!  Hundred jugs in a row!  Ten rows in a case an' 'bout a t'ousand cases!  What deh blazes use is dem?"

Evenings during the week he took her to see plays in which the brain-clutching heroine was rescued from the palatial home of her guardian, who is cruelly after her bonds, by the hero with the
beautiful sentiments.  The latter spent most of his time out at soak in pale-green snow storms, busy with a nickel-plated revolver, rescuing aged strangers from villains.

Maggie lost herself in sympathy with the wanderers swooning in snow storms beneath happy-hued church windows.  And a choir within singing "Joy to the World."  To Maggie and the rest of the audience this was transcendental realism.  Joy always within, and they, like the actor, inevitably without.  Viewing it, they hugged themselves in ecstatic pity of their imagined or real condition.

The girl thought the arrogance and granite-heartedness of the magnate of the play was very accurately drawn.  She echoed the maledictions that the occupants of the gallery showered on this individual when his lines compelled him to expose his extreme selfishness.

Shady persons in the audience revolted from the pictured villainy of the drama.  With untiring zeal they hissed vice and applauded virtue.  Unmistakably bad men evinced an apparently sincere admiration for virtue.

The loud gallery was overwhelmingly with the unfortunate and the oppressed.  They encouraged the struggling hero with cries, and jeered the villain, hooting and calling attention to his whiskers.
When anybody died in the pale-green snow storms, the gallery mourned. They sought out the painted misery and hugged it as akin.

In the hero's erratic march from poverty in the first act, to wealth and triumph in the final one, in which he forgives all the enemies that he has left, he was assisted by the gallery, which applauded his generous and noble sentiments and confounded the speeches of his opponents by making irrelevant but very sharp remarks.  Those actors who were cursed with villainy parts were confronted at every turn by the gallery.  If one of them rendered lines containing the most subtile distinctions between right and wrong, the gallery was immediately aware if the actor meant wickedness, and denounced him accordingly.

The last act was a triumph for the hero, poor and of the masses, the representative of the audience, over the villain and the rich man, his pockets stuffed with bonds, his heart packed with tyrannical purposes, imperturbable amid suffering.

Maggie always departed with raised spirits from the showing places of the melodrama.  She rejoiced at the way in which the poor and virtuous eventually surmounted the wealthy and wicked.  The
theatre made her think.  She wondered if the culture and refinement she had seen imitated, perhaps grotesquely, by the heroine on the stage, could be acquired by a girl who lived in a tenement house
and worked in a shirt factory.

Chapter 9
Chapter IX
A group of urchins were intent upon the side door of a saloon.  Expectancy gleamed from their eyes.  They were twisting their fingers in excitement.

"Here she comes," yelled one of them suddenly.

The group of urchins burst instantly asunder and its individual fragments were spread in a wide, respectable half circle about the point of interest.  The saloon door opened with a crash, and the figure of a woman appeared upon the threshold.  Her grey hair fell in knotted masses about her shoulders.  Her face was crimsoned and wet with perspiration.  Her eyes had a rolling glare.
"Not a damn cent more of me money will yehs ever get, not a damn cent. I spent me money here fer t'ree years an' now yehs tells me yeh'll sell me no more stuff!  T'hell wid yeh, Johnnie Murckre!  'Disturbance'?
Disturbance be damned!  T'hell wid yeh, Johnnie--"

The door received a kick of exasperation from within and the woman lurched heavily out on the sidewalk.

The gamins in the half-circle became violently agitated. They began to dance about and hoot and yell and jeer.
Wide dirty grins spread over each face.
The woman made a furious dash at a particularly outrageous cluster of little boys.  They laughed delightedly and scampered off a short distance, calling out over their shoulders to her.  She stood tottering on the curb-stone and thundered at them.

"Yeh devil's kids," she howled, shaking red fists.  The little boys whooped in glee.  As she started up the street they fell in behind and marched uproariously.  Occasionally she wheeled about and made charges on them.  They ran nimbly out of reach and taunted her. In the frame of a gruesome doorway she stood for a moment cursing them. Her hair straggled, giving her crimson features a look of insanity.
Her great fists quivered as she shook them madly in the air.

The urchins made terrific noises until she turned and disappeared.  Then they filed quietly in the way they had come.
The woman floundered about in the lower hall of the tenement house and finally stumbled up the stairs.  On an upper hall a door was opened and a collection of heads peered curiously out, watching her.
With a wrathful snort the woman confronted the door, but it was slammed hastily in her face and the key was turned.

She stood for a few minutes, delivering a frenzied challenge at the panels.

"Come out in deh hall, Mary Murphy, damn yeh, if yehs want a row. Come ahn, yeh overgrown terrier, come ahn."

She began to kick the door with her great feet.  She shrilly defied the universe to appear and do battle.  Her cursing trebles brought heads from all doors save the one she threatened.  Her eyes glared in every direction.  The air was full of her tossing fists.

"Come ahn, deh hull damn gang of yehs, come ahn," she roared at the spectators.  An oath or two, cat-calls, jeers and bits of facetious advice were given in reply.  Missiles clattered about her feet.

"What deh hell's deh matter wid yeh?" said a voice in the gathered gloom, and Jimmie came forward.  He carried a tin dinner- pail in his hand and under his arm a brown truckman's apron done in a bundle.  "What deh hell's wrong?" he demanded.

"Come out, all of yehs, come out," his mother was howling.  "Come ahn an' I'll stamp her damn brains under me feet."

"Shet yer face, an' come home, yeh damned old fool," roared Jimmie at her.  She strided up to him and twirled her fingers in his face.  Her eyes were darting flames of unreasoning rage and her frame trembled with eagerness for a fight.

"T'hell wid yehs!  An' who deh hell are yehs?  I ain't givin' a snap of me fingers fer yehs," she bawled at him.  She turned her huge back in tremendous disdain and climbed the stairs to the next floor.

Jimmie followed, cursing blackly.  At the top of the flight he seized his mother's arm and started to drag her toward the door of their room.

"Come home, damn yeh," he gritted between his teeth.

"Take yer hands off me!  Take yer hands off me," shrieked his mother.

She raised her arm and whirled her great fist at her son's face.  Jimmie dodged his head and the blow struck him in the back of the neck.  "Damn yeh," gritted he again.  He threw out his left hand and writhed his fingers about her middle arm.  The mother and the son began to sway and struggle like gladiators.

"Whoop!" said the Rum Alley tenement house.  The hall filled with interested spectators.
"Hi, ol' lady, dat was a dandy!"
"T'ree to one on deh red!"
"Ah, stop yer damn scrappin'!"

The door of the Johnson home opened and Maggie looked out. Jimmie made a supreme cursing effort and hurled his motherinto the room.  He quickly followed and closed the door.


The Rum Alley tenement swore disappointedly and retired.

The mother slowly gathered herself up from the floor.  Her eyes glittered menacingly upon her children.

"Here, now," said Jimmie, "we've had enough of dis.  Sit down, an' don' make no trouble."

He grasped her arm, and twisting it, forced her into a creaking chair.
"Keep yer hands off me," roared his mother again.
"Damn yer ol' hide," yelled Jimmie, madly.  Maggie shrieked and ran into the other room.  To her there came the sound of a storm of crashes and curses.  There was a great final thump and Jimmie's voice cried: "Dere, damn yeh, stay still."  Maggie opened the door now, and went warily out.  "Oh, Jimmie."

He was leaning against the wall and swearing.  Blood stood upon bruises on his knotty fore-arms where they had scraped against the floor or the walls in the scuffle.  The mother lay screeching on the floor, the tears running down her furrowed face.

Maggie, standing in the middle of the room, gazed about her.  The usual upheaval of the tables and chairs had taken place.  Crockery was strewn broadcast in fragments.  The stove had been disturbed on its legs, and now leaned idiotically to one side. A pail had been upset and water spread in all directions.

The door opened and Pete appeared.  He shrugged his shoulders. "Oh, Gawd," he observed.

He walked over to Maggie and whispered in her ear.  "Ah, what deh hell, Mag?  Come ahn and we'll have a hell of a time."  The mother in the corner upreared her head and shook her tangled locks.

"Teh hell wid him and you," she said, glowering at her daughter in the gloom.  Her eyes seemed to burn balefully.  "Yeh've gone teh deh devil, Mag Johnson, yehs knows yehs have gone teh deh devil.  Yer a disgrace teh yer people, damn yeh.  An' now, git out an' go ahn wid dat doe-faced jude of yours.  Go teh hell wid him,
damn yeh, an' a good riddance.  Go teh hell an' see how yeh likes it."
Maggie gazed long at her mother.
"Go teh hell now, an' see how yeh likes it.  Git out.  I won't have sech as yehs in me house!  Get out, d'yeh hear!  Damn yeh, git out!"
The girl began to tremble.

At this instant Pete came forward.  "Oh, what deh hell, Mag, see,"whispered he softly in her ear.  "Dis all blows over.  See?  Deh ol' woman 'ill be all right in deh mornin'.  Come ahn out wid me! We'll have a hell of a time."

The woman on the floor cursed.  Jimmie was intent upon his bruised fore-arms.  The girl cast a glance about the room filled with a chaotic mass of debris, and at the red, writhing body of her mother.
"Go teh hell an' good riddance."
She went.

Chapter 10

Chapter X
Jimmie had an idea it wasn't common courtesy for a friend to come to one's home and ruin one's sister.  But he was not sure how much Pete knew about the rules of politeness.

The following night he returned home from work at rather a late hour in the evening.  In passing through the halls he came
upon the gnarled and leathery old woman who possessed the music box.  She was grinning in the dim light that drifted through dust-stained panes.  She beckoned to him with a smudged forefinger.

"Ah, Jimmie, what do yehs t'ink I got onto las' night.  It was deh funnies' t'ing I ever saw," she cried, coming close to him and leering.  She was trembling with eagerness to tell her tale.  I was by me door las' night when yer sister and her jude feller came in late, oh, very late.  An' she, the dear, she was a-cryin' as if her heart would break, she was.  It was deh funnies' t'ing I ever saw.  An' right out here by me door she asked him did he love her, did he.  An' she was a-cryin' as if her heart would break, poor t'ing.  An' him, I could see by deh way what he said it dat she had been askin' orften, he says: 'Oh, hell, yes,' he says, says he, 'Oh, hell, yes.'"

Storm-clouds swept over Jimmie's face, but he turned from the leathery old woman and plodded on up-stairs.

"Oh, hell, yes," called she after him.  She laughed a laugh that was like a prophetic croak.  "'Oh, hell, yes,' he says, says
he, 'Oh, hell, yes.'"

There was no one in at home.  The rooms showed that attempts had been made at tidying them.  Parts of the wreckage of the day before had been repaired by an unskilful hand.  A chair or two and the table, stood uncertainly upon legs.  The floor had been newly swept.  Too, the blue ribbons had been restored to the curtains, and the lambrequin, with its immense sheaves of yellow wheat and red roses of equal size, had been returned, in a worn and sorry state, to its position at the mantel.  Maggie's jacket and hat were gone from the nail behind the door.

Jimmie walked to the window and began to look through the blurred glass.  It occurred to him to vaguely wonder, for an
instant, if some of the women of his acquaintance had brothers.
Suddenly, however, he began to swear.
"But he was me frien'!  I brought 'im here!  Dat's deh hell of it!" He fumed about the room, his anger gradually rising to the furious pitch.
"I'll kill deh jay!  Dat's what I'll do!  I'll kill deh jay!"
He clutched his hat and sprang toward the door.  But it opened and his mother's great form blocked the passage.

"What deh hell's deh matter wid yeh?" exclaimed she, coming into the rooms.
Jimmie gave vent to a sardonic curse and then laughed heavily.
"Well, Maggie's gone teh deh devil!  Dat's what!  See?"
"Eh?" said his mother.
"Maggie's gone teh deh devil!  Are yehs deaf?" roared Jimmie, impatiently.
"Deh hell she has," murmured the mother, astounded.

Jimmie grunted, and then began to stare out at the window.  His mother sat down in a chair, but a moment later sprang erect and delivered a maddened whirl of oaths.  Her son turned to look at her as she reeled and swayed in the middle of the room, her fierce face convulsed with passion, her blotched arms raised high in imprecation.

"May Gawd curse her forever," she shrieked.  "May she eat nothin' but stones and deh dirt in deh street.  May she sleep in
deh gutter an' never see deh sun shine agin.  Deh damn--"
"Here, now," said her son.  "Take a drop on yourself."
The mother raised lamenting eyes to the ceiling.

"She's deh devil's own chil', Jimmie," she whispered.  "Ah, who would t'ink such a bad girl could grow up in our fambly,
Jimmie, me son.  Many deh hour I've spent in talk wid dat girl an' tol' her if she ever went on deh streets I'd see her damned.  An' after all her bringin' up an' what I tol' her and talked wid her, she goes teh deh bad, like a duck teh water."

The tears rolled down her furrowed face.  Her hands trembled.

"An' den when dat Sadie MacMallister next door to us was sent teh deh devil by dat feller what worked in deh soap-factory, didn't I tell our Mag dat if she--"

"Ah, dat's annuder story," interrupted the brother.  "Of course, dat Sadie was nice an' all dat--but--see--it ain't dessame
as if--well, Maggie was diff'ent--see--she was diff'ent."  He was trying to formulate a theory that he had always unconsciously held, that all sisters, excepting his own, could advisedly be ruined.

He suddenly broke out again.  "I'll go t'ump hell outa deh mug what did her deh harm.  I'll kill 'im!  He t'inks he kin scrap,
but when he gits me a-chasin' 'im he'll fin' out where he's wrong, deh damned duffer.  I'll wipe up deh street wid 'im."
In a fury he plunged out of the doorway.  As he vanished the mother raised her head and lifted both hands, entreating.

"May Gawd curse her forever," she cried.

In the darkness of the hallway Jimmie discerned a knot of women talking volubly.  When he strode by they paid no attention to him.


"She allus was a bold thing," he heard one of them cry in an eager voice.  "Dere wasn't a feller come teh deh house but she'd try teh mash 'im.  My Annie says deh shameless t'ing tried the ketch her feller, her own feller, what we useter know his fader."  "I could a' tol' yehs dis two years ago," said a woman, in a key of triumph.  "Yessir, it was over two years ago dat I says teh my ol' man, I says, 'Dat Johnson girl ain't straight,' I says.  'Oh, hell,' he says.  'Oh, hell.'  'Dat's all right,' I says, 'but I know what I knows,' I says, 'an' it 'ill come out later. You wait an' see,' I says, 'you see.'"

"Anybody what had eyes could see dat dere was somethin' wrong wid dat girl.  I didn't like her actions."

On the street Jimmie met a friend.  "What deh hell?" asked the latter.
Jimmie explained.  "An' I'll t'ump 'im till he can't stand."
"Oh, what deh hell," said the friend.  "What's deh use!
Yeh'll git pulled in!  Everybody 'ill be onto it!  An' ten plunks!  Gee!"
Jimmie was determined.  "He t'inks he kin scrap, but he'll fin' out diff'ent."
"Gee," remonstrated the friend.  "What deh hell?"

Chapter 11

Chapter XI
On a corner a glass-fronted building shed a yellow glare upon the pavements.  The open mouth of a saloon called seductively to passengers to enter and annihilate sorrow or create rage.

The interior of the place was papered in olive and bronze tints of imitation leather.  A shining bar of counterfeit massiveness extended down the side of the room.  Behind it a great mahogany-appearing sideboard reached the ceiling.  Upon its shelves rested pyramids of shimmering glasses that were never disturbed.  Mirrors set in the face of the sideboard multiplied them.  Lemons, oranges and paper napkins, arranged with mathematical precision, sat among the glasses.  Many-hued decanters of liquor perched at regular intervals on the lower shelves. A nickel-plated cash register occupied a position in the exact centre of the general effect.  The elementary senses of it all seemed to be opulence and geometrical accuracy.

Across from the bar a smaller counter held a collection of plates upon which swarmed frayed fragments of crackers, slices of boiled ham, dishevelled bits of cheese, and pickles swimming in vinegar.  An odor of grasping, begrimed hands and munching mouths pervaded.

Pete, in a white jacket, was behind the bar bending expectantly toward a quiet stranger.  "A beeh," said the man.
Pete drew a foam-topped glassful and set it dripping upon the bar.

At this moment the light bamboo doors at the entrance swung open and crashed against the siding.  Jimmie and a companion entered.  They swaggered unsteadily but belligerently toward the bar and looked at Pete with bleared and blinking eyes.
"Gin," said Jimmie.
"Gin," said the companion.

Pete slid a bottle and two glasses along the bar.  He bended his head sideways as he assiduously polished away with a napkin at the gleaming wood.  He had a look of watchfulness upon his features.

Jimmie and his companion kept their eyes upon the bartender and conversed loudly in tones of contempt.

"He's a dindy masher, ain't he, by Gawd?" laughed Jimmie.
"Oh, hell, yes," said the companion, sneering widely.  "He's great, he is.  Git onto deh mug on deh blokie.  Dat's enough to make a feller turn hand-springs in 'is sleep."

The quiet stranger moved himself and his glass a trifle further away and maintained an attitude of oblivion.

"Gee! ain't he hot stuff!"
"Git onto his shape!  Great Gawd!"
"Hey," cried Jimmie, in tones of command.  Pete came along slowly, with a sullen dropping of the under lip.
"Well," he growled, "what's eatin' yehs?"
"Gin," said Jimmie.
"Gin," said the companion.
As Pete confronted them with the bottle and the glasses, they laughed in his face.  Jimmie's companion, evidently overcome with merriment, pointed a grimy forefinger in Pete's direction.
 "Say, Jimmie," demanded he, "what deh hell is dat behind deh bar?"
"Damned if I knows," replied Jimmie.  They laughed loudly.  Pete put down a bottle with a bang and turned a formidable face toward them.  He disclosed his teeth and his shoulders heaved restlessly.
"You fellers can't guy me," he said.  "Drink yer stuff an' git out an' don' make no trouble."
Instantly the laughter faded from the faces of the two men and expressions of offended dignity immediately came.
"Who deh hell has said anyt'ing teh you," cried they in the same breath.

The quiet stranger looked at the door calculatingly.
"Ah, come off," said Pete to the two men.  "Don't pick me up for no jay.  Drink yer rum an' git out an' don' make no trouble."
"Oh, deh hell," airily cried Jimmie.
"Oh, deh hell," airily repeated his companion.
"We goes when we git ready!  See!" continued Jimmie.
"Well," said Pete in a threatening voice, "don' make no trouble."
Jimmie suddenly leaned forward with his head on one side.
He snarled like a wild animal.

"Well, what if we does?  See?" said he.
Dark blood flushed into Pete's face, and he shot a lurid glance at Jimmie.
"Well, den we'll see whose deh bes' man, you or me," he said.

The quiet stranger moved modestly toward the door.
Jimmie began to swell with valor.
"Don' pick me up fer no tenderfoot.  When yeh tackles me yeh tackles one of deh bes' men in deh city.  See?  I'm a scrapper, I am.  Ain't dat right, Billie?"

"Sure, Mike," responded his companion in tones of conviction.

"Oh, hell," said Pete, easily.  "Go fall on yerself."

The two men again began to laugh.
"What deh hell is dat talkin'?" cried the companion.
"Damned if I knows," replied Jimmie with exaggerated contempt.

Pete made a furious gesture.  "Git outa here now, an' don' make no trouble.  See?  Youse fellers er lookin' fer a scrap an' it's damn likely yeh'll fin' one if yeh keeps on shootin' off yer mout's. I know yehs!  See?  I kin lick better men dan yehs ever saw in yer lifes. Dat's right!  See?  Don' pick me up fer no stuff er yeh might be jolted
out in deh street before yeh knows where yeh is.  When I comes from behind dis bar, I t'rows yehs bote inteh deh street.  See?"
"Oh, hell," cried the two men in chorus.
The glare of a panther came into Pete's eyes.  "Dat's what I said! Unnerstan'?"
He came through a passage at the end of the bar and swelled down upon the two men.  They stepped promptly forward and crowded close to him.

They bristled like three roosters.  They moved their heads pugnaciously and kept their shoulders braced.  The nervous muscles about each mouth twitched with a forced smile of mockery.

"Well, what deh hell yer goin' teh do?" gritted Jimmie.

Pete stepped warily back, waving his hands before him to keep the men from coming too near.

"Well, what deh hell yer goin' teh do?" repeated Jimmie's ally. They kept close to him, taunting and leering.  They strove to make him attempt the initial blow.

"Keep back, now!  Don' crowd me," ominously said Pete.
Again they chorused in contempt.  "Oh, hell!"
In a small, tossing group, the three men edged for positions like frigates contemplating battle.

"Well, why deh hell don' yeh try teh t'row us out?" cried Jimmie and his ally with copious sneers.

The bravery of bull-dogs sat upon the faces of the men.  Their clenched fists moved like eager weapons.

The allied two jostled the bartender's elbows, glaring at him with feverish eyes and forcing him toward the wall.

Suddenly Pete swore redly.  The flash of action gleamed from his eyes.  He threw back his arm and aimed a tremendous, lightning-like blow at Jimmie's face.  His foot swung a step forward and the weight of his body was behind his fist.  Jimmie ducked his head, Bowery-like, with the quickness of a cat.  The fierce, answering
blows of him and his ally crushed on Pete's bowed head.

The quiet stranger vanished.

The arms of the combatants whirled in the air like flails. The faces of the men, at first flushed to flame-colored anger, now began to fade to the pallor of warriors in the blood and heat of a battle.  Their lips curled back and stretched tightly over the gums in ghoul-like grins.  Through their white, gripped teeth struggled hoarse whisperings of oaths.  Their eyes glittered with murderous fire.

Each head was huddled between its owner's shoulders, and arms were swinging with marvelous rapidity.  Feet scraped to and fro with a loud scratching sound upon the sanded floor.  Blows left crimson blotches upon pale skin.  The curses of the first quarter minute of the fight died away.  The breaths of the fighters came
wheezingly from their lips and the three chests were straining and heaving.  Pete at intervals gave vent to low, labored hisses, that sounded like a desire to kill.  Jimmie's ally gibbered at times like a wounded aniac.  Jimmie was silent, fighting with the face of a sacrificial priest.  The rage of fear shone in all their eyes and their blood-colored fists swirled.

At a tottering moment a blow from Pete's hand struck the ally and he crashed to the floor.  He wriggled instantly to his feet and grasping the quiet stranger's beer glass from the bar, hurled it at Pete's head.

High on the wall it burst like a bomb, shivering fragments flying in all directions.  Then missiles came to every man's hand. The place had heretofore appeared free of things to throw, but suddenly glass and bottles went singing through the air.  They were thrown point blank at bobbing heads.  The pyramid of shimmering
glasses, that had never been disturbed, changed to cascades as heavy bottles were flung into them.  Mirrors splintered to nothing.

The three frothing creatures on the floor buried themselves in a frenzy for blood.  There followed in the wake of missiles and fists some unknown prayers, perhaps for death.

The quiet stranger had sprawled very pyrotechnically out on the sidewalk.  A laugh ran up and down the avenue for the half of a block.

"Dey've trowed a bloke inteh deh street."

People heard the sound of breaking glass and shuffling feet within the saloon and came running.  A small group, bending down to look under the bamboo doors, watching the fall of glass, and three pairs of violent legs, changed in a moment to a crowd.

A policeman came charging down the sidewalk and bounced through the doors into the saloon.  The crowd bended and surged in absorbing anxiety to see.

Jimmie caught first sight of the on-coming interruption.  On his feet he had the same regard for a policeman that, when on his truck, he had for a fire engine.  He howled and ran for the side door.

The officer made a terrific advance, club in hand.  One comprehensive sweep of the long night stick threw the ally to the floor and forced Pete to a corner.  With his disengaged hand he made a furious effort at Jimmie's coat-tails.  Then he regained his balance and paused.

"Well, well, you are a pair of pictures.  What in hell yeh been up to?"

Jimmie, with his face drenched in blood, escaped up a side street, pursued a short distance by some of the more law-loving, or excited individuals of the crowd.

Later, from a corner safely dark, he saw the policeman, the ally and the bartender emerge from the saloon.  Pete locked the doors and then followed up the avenue in the rear of the crowd-encompassed policeman and his charge.

On first thoughts Jimmie, with his heart throbbing at battle heat, started to go desperately to the rescue of his friend, but he halted.

"Ah, what deh hell?" he demanded of himself.

Chapter 12

Chapter XII


In a hall of irregular shape sat Pete and Maggie drinking beer.  A submissive orchestra dictated to by a spectacled man with frowsy hair and a dress suit, industriously followed the bobs of his head and the waves of his baton.  A ballad singer, in a dress of flaming scarlet, sang in the inevitable voice of brass.  When she vanished, men seated at the tables near the front applauded loudly, pounding the polished wood with their beer glasses.  She returned attired in less gown, and sang again.  She received another enthusiastic encore.  She reappeared in still less gown and danced.  The deafening rumble of glasses and clapping of hands that
followed her exit indicated an overwhelming desire to have her come on for the fourth time, but the curiosity of the audience was not gratified.

Maggie was pale.  From her eyes had been plucked all look of self-reliance.  She leaned with a dependent air toward her companion.  She was timid, as if fearing his anger or displeasure.  She seemed to beseech tenderness of him.

Pete's air of distinguished valor had grown upon him until it threatened stupendous dimensions.  He was infinitely gracious to the girl.  It was apparent to her that his condescension was a marvel. He could appear to strut even while sitting still and he showed that he was a lion of lordly characteristics by the air with which he spat.
With Maggie gazing at him wonderingly, he took pride in commanding the waiters who were, however, indifferent or deaf.

"Hi, you, git a russle on yehs!  What deh hell yehs lookin' at? Two more beehs, d'yeh hear?"

He leaned back and critically regarded the person of a girl with a straw-colored wig who upon the stage was flinging her heels in somewhat awkward imitation of a well-known danseuse.

At times Maggie told Pete long confidential tales of her former home life, dwelling upon the escapades of the other members of the family and the difficulties she had to combat in order to obtain a degree of comfort.  He responded in tones of philanthropy.  He pressed her arm with an air of reassuring proprietorship.
"Dey was damn jays," he said, denouncing the mother and brother.
The sound of the music which, by the efforts of the frowsy-headed leader, drifted to her ears through the smoke-filled atmosphere, made the girl dream.  She thought of her former Rum Alley environment and turned to regard Pete's strong protecting fists.  She thought of the collar and cuff manufactory and the eternal moan of the proprietor: "What een hell do you sink I pie fife dolla a week for?  Play?  No, py damn."  She contemplated
Pete's man-subduing eyes and noted that wealth and prosperity was indicated by his clothes.  She imagined a future, rose-tinted, because of its distance from all that she previously had experienced.

As to the present she perceived only vague reasons to be miserable.  Her life was Pete's and she considered him worthy of the charge.  She would be disturbed by no particular apprehensions, so long as Pete adored her as he now said he did.  She did not feel like a bad woman.  To her knowledge she had never seen any better.

At times men at other tables regarded the girl furtively.  Pete, aware of it, nodded at her and grinned.  He felt proud.

"Mag, yer a bloomin' good-looker," he remarked, studying her face through the haze.  The men made Maggie fear, but she blushed at Pete's words as it became apparent to her that she was the apple of his eye.

Grey-headed men, wonderfully pathetic in their dissipation, stared at her through clouds.  Smooth-cheeked boys, some of them with faces of stone and mouths of sin, not nearly so pathetic as the grey heads, tried to find the girl's eyes in the smoke wreaths.  Maggie considered she was not what they thought her.  She confined
her glances to Pete and the stage.

The orchestra played negro melodies and a versatile drummer pounded, whacked, clattered and scratched on a dozen machines to make noise.

Those glances of the men, shot at Maggie from under half-closed lids, made her tremble.  She thought them all to be worse men than Pete.

"Come, let's go," she said.

As they went out Maggie perceived two women seated at a table with some men.  They were painted and their cheeks had lost their roundness.  As she passed them the girl, with a shrinking movement, drew back her skirts.

Chapter 13

Chapter XIII
Jimmie did not return home for a number of days after the fight with Pete in the saloon.  When he did, he approached with extreme caution.
He found his mother raving.  Maggie had not returned home. The parent continually wondered how her daughter could come to such a pass.  She had never considered Maggie as a pearl dropped unstained into Rum Alley from Heaven, but she could not conceive how it was possible for her daughter to fall so low as to bring
disgrace upon her family.  She was terrific in denunciation of the girl's wickedness.

The fact that the neighbors talked of it, maddened her.  When women came in, and in the course of their conversation casually asked, "Where's Maggie dese days?" the mother shook her fuzzy head at them and appalled them with curses.  Cunning hints inviting confidence she rebuffed with violence.

"An' wid all deh bringin' up she had, how could she?"  moaningly she asked of her son.  "Wid all deh talkin' wid her I did an' deh t'ings I tol' her to remember?  When a girl is bringed up deh way I bringed up Maggie, how kin she go teh deh devil?"

Jimmie was transfixed by these questions.  He could not conceive how under the circumstances his mother's daughter and his sister could have been so wicked.  His mother took a drink from a squdgy bottle that sat on the table.  She continued her lament. 
"She had a bad heart, dat girl did, Jimmie.  She was wicked teh deh heart an' we never knowed it."
Jimmie nodded, admitting the fact.
"We lived in deh same house wid her an' I brought her up an' we never knowed how bad she was."
 Jimmie nodded again.
"Wid a home like dis an' a mudder like me, she went teh deh bad," cried the mother, raising her eyes.

One day, Jimmie came home, sat down in a chair and began to wriggle about with a new and strange nervousness.  At last he spoke shamefacedly.

"Well, look-a-here, dis t'ing queers us!  See?  We're queered! An' maybe it 'ud be better if I--well, I t'ink I kin look 'er up an'--maybe it 'ud be better if I fetched her home an'--"

The mother started from her chair and broke forth into a storm
of passionate anger.

"What!  Let 'er come an' sleep under deh same roof wid her mudder agin!  Oh, yes, I will, won't I?  Sure?  Shame on yehs, Jimmie Johnson, for sayin' such a t'ing teh yer own mudder--teh yer
own mudder!  Little did I t'ink when yehs was a babby playin' about me feet dat ye'd grow up teh say sech a t'ing teh yer mudder—yer own mudder.  I never taut--"
Sobs choked her and interrupted her reproaches.
"Dere ain't nottin' teh raise sech hell about," said Jimmie. "I on'y says it 'ud be better if we keep dis t'ing dark, see? It queers us!  See?"
His mother laughed a laugh that seemed to ring through the city and be echoed and re-echoed by countless other laughs. "Oh, yes, I will, won't I!  Sure!"

"Well, yeh must take me fer a damn fool," said Jimmie, indignant at his mother for mocking him.  "I didn't say we'd make 'er inteh a little tin angel, ner nottin', but deh way it is now she can queer us!  Don' che see?"

"Aye, she'll git tired of deh life atter a while an' den she'll wanna be a-comin' home, won' she, deh beast!  I'll let 'er in den, won' I?"
"Well, I didn' mean none of dis prod'gal bus'ness anyway," explained Jimmie.

"It wasn't no prod'gal dauter, yeh damn fool," said the mother.  "It was prod'gal son, anyhow."
"I know dat," said Jimmie.
For a time they sat in silence.  The mother's eyes gloated on a scene her imagination could call before her.  Her lips were set in a vindictive smile.

"Aye, she'll cry, won' she, an' carry on, an' tell how Pete, or some odder feller, beats 'er an' she'll say she's sorry an' all dat an' she ain't happy, she ain't, an' she wants to come home agin, she does."

With grim humor, the mother imitated the possible wailing notes of the daughter's voice.

"Den I'll take 'er in, won't I, deh beast.  She kin cry 'er two eyes out on deh stones of deh street before I'll dirty deh place wid her. She abused an' ill-treated her own mudder--her own mudder what loved her an' she'll never git anodder chance dis side of hell."

Jimmie thought he had a great idea of women's frailty, but he could not understand why any of his kin should be victims.
"Damn her," he fervidly said.
Again he wondered vaguely if some of the women of his acquaintance had brothers.  Nevertheless, his mind did not for an instant confuse himself with those brothers nor his sister with theirs. After the mother had, with great difficulty, suppressed the neighbors, she went among them and proclaimed her grief. "May Gawd forgive dat girl," was her continual cry.  To attentive ears she recited the whole length and breadth of her woes.

"I bringed 'er up deh way a dauter oughta be bringed up an' dis is how she served me!  She went teh deh devil deh first chance she got!  May Gawd forgive her."

When arrested for drunkenness she used the story of her daughter's downfall with telling effect upon the police justices.  Finally one of them said to her, peering down over his spectacles: "Mary, the records of this and other courts show that you are the mother of forty-two daughters who have been ruined.  The case is unparalleled in the annals of this court, and this court thinks--"

The mother went through life shedding large tears of sorrow. Her red face was a picture of agony.

Of course Jimmie publicly damned his sister that he might appear on a higher social plane.  But, arguing with himself, sumbling about in ways that he knew not, he, once, almost came to the conclusion that his sister would have been more firmly good had she better known why.  However, he felt that he could not hold such a view.  He threw it hastily aside.

Chapter 14

Chapter XIV
In a hilarious hall there were twenty-eight tables and twenty-eight women and a crowd of smoking men.  Valiant noise was made on a stage at the end of the hall by an orchestra composed of men who
looked as if they had just happened in.  Soiled waiters ran to and fro, swooping down like hawks on the unwary in the throng; clattering along the aisles with trays covered with glasses; stumbling over women's skirts and charging two prices for everything but beer, all with a swiftness that blurred the view of the cocoanut palms and dusty monstrosities painted upon the walls of the room.  A bouncer, with an immense load of business upon his
hands, plunged about in the crowd, dragging bashful strangers to prominent chairs, ordering waiters here and there and quarreling furiously with men who wanted to sing with the orchestra.

The usual smoke cloud was present, but so dense that heads and arms seemed entangled in it.  The rumble of conversation was replaced by a roar.  Plenteous oaths heaved through the air. The room rang with the shrill voices of women bubbling o'er with drink-laughter.  The chief element in the music of the orchestra
was speed.  The musicians played in intent fury.  A woman was singing and smiling upon the stage, but no one took notice of her. The rate at which the piano, cornet and violins were going, seemed to impart wildness to the half-drunken crowd.  Beer glasses were emptied at a gulp and conversation became a rapid chatter. The smoke eddied and swirled like a shadowy river hurrying toward some unseen falls.  Pete and Maggie entered the hall and took chairs at a table near the door.  The woman who was seated there made an attempt to occupy Pete's attention and, failing, went away.

Three weeks had passed since the girl had left home.  The air of spaniel-like dependence had been magnified and showed its direct effect in the peculiar off-handedness and ease of Pete's ways toward her.

She followed Pete's eyes with hers, anticipating with smiles gracious looks from him.
A woman of brilliance and audacity, accompanied by a mere boy, came into the place and took seats near them.
At once Pete sprang to his feet, his face beaming with glad surprise.

"By Gawd, there's Nellie," he cried.
He went over to the table and held out an eager hand to the woman.
"Why, hello, Pete, me boy, how are you," said she, giving him her fingers.
Maggie took instant note of the woman.  She perceived that her black dress fitted her to perfection.  Her linen collar and cuffs were spotless.  Tan gloves were stretched over her well-shaped hands.  A hat of a prevailing fashion perched jauntily upon her dark hair.  She wore no jewelry and was painted with no apparent paint.  She looked clear-eyed through the stares of the men.
"Sit down, and call your lady-friend over," she said cordially to Pete.
At his beckoning Maggie came and sat between Pete and the mere boy.
"I thought yeh were gone away fer good," began Pete, at once.
"When did yeh git back?  How did dat Buff'lo bus'ness turn out?"
The woman shrugged her shoulders.  "Well, he didn't have as many stamps as he tried to make out, so I shook him, that's all."
"Well, I'm glad teh see yehs back in deh city," said Pete, with awkward gallantry.
He and the woman entered into a long conversation, exchanging reminiscences of days together.  Maggie sat still, unable to formulate an intelligent sentence upon the conversation and painfully aware of it.

She saw Pete's eyes sparkle as he gazed upon the handsome stranger.  He listened smilingly to all she said.  The woman was familiar with all his affairs, asked him about mutual friends, and knew the amount of his salary.

She paid no attention to Maggie, looking toward her once or twice and apparently seeing the wall beyond.
The mere boy was sulky.  In the beginning he had welcomed with acclamations the additions.

"Let's all have a drink!  What'll you take, Nell?  And you, Miss what's-your-name.  Have a drink, Mr. -----, you, I mean."

He had shown a sprightly desire to do the talking for the company and tell all about his family.  In a loud voice he declaimed on various topics.  He assumed a patronizing air toward Pete.  As Maggie was silent, he paid no attention to her.  He made a great show of lavishing wealth upon the woman of brilliance and audacity.
"Do keep still, Freddie!  You gibber like an ape, dear," said the woman to him.  She turned away and devoted her attention to Pete.

"We'll have many a good time together again, eh?"
"Sure, Mike," said Pete, enthusiastic at once.
"Say," whispered she, leaning forward, "let's go over to
Billie's and have a heluva time."

"Well, it's dis way!  See?" said Pete.  I got dis lady frien' here."
"Oh, t'hell with her," argued the woman.
Pete appeared disturbed.
"All right," said she, nodding her head at him.  "All right for you! We'll see the next time you ask me to go anywheres with you."  Pete squirmed.
"Say," he said, beseechingly, "come wid me a minit an' I'll tell yer why."
The woman waved her hand.
"Oh, that's all right, you needn't explain, you know.  You wouldn't come merely because you wouldn't come, that's all there is of it."
To Pete's visible distress she turned to the mere boy, bringing him speedily from a terrific rage.  He had been debating whether it would be the part of a man to pick a quarrel with Pete, or would he be justified in striking him savagely with his beer glass without warning.  But he recovered himself when the woman turned to renew her smilings.  He beamed upon her with an expression that was somewhat tipsy and inexpressibly tender.
"Say, shake that Bowery jay," requested he, in a loud whisper.
"Freddie, you are so droll," she replied.
Pete reached forward and touched the woman on the arm.
"Come out a minit while I tells yeh why I can't go wid yer.
Yer doin' me dirt, Nell!  I never taut ye'd do me dirt, Nell. Come on, will yer?"  He spoke in tones of injury.

"Why, I don't see why I should be interested in your explanations," said the woman, with a coldness that seemed to reduce Pete to a pulp.
His eyes pleaded with her.  "Come out a minit while I tells yeh."
The woman nodded slightly at Maggie and the mere boy, "'Scuse me."
The mere boy interrupted his loving smile and turned a shriveling glare upon Pete.  His boyish countenance flushed and he spoke, in a whine, to the woman:
"Oh, I say, Nellie, this ain't a square deal, you know.  You aren't goin' to leave me and go off with that duffer, are you?  I should think--"
"Why, you dear boy, of course I'm not," cried the woman, affectionately.  She bended over and whispered in his ear. He smiled again and settled in his chair as if resolved to wait patiently.
As the woman walked down between the rows of tables, Pete was at her shoulder talking earnestly, apparently in explanation.
The woman waved her hands with studied airs of indifference.
The doors swung behind them, leaving Maggie and the mere boy seated at the table.
Maggie was dazed.  She could dimly perceive that something  stupendous had happened.  She wondered why Pete saw fit to remonstrate with the woman, pleading for forgiveness with his eyes.  She thought she noted an air of submission about her leonine Pete.
She was astounded.
The mere boy occupied himself with cock-tails and a cigar.  He was tranquilly silent for half an hour.  Then he bestirred himself and spoke.
"Well," he said, sighing, "I knew this was the way it would be."
There was another stillness.  The mere boy seemed to be musing.
"She was pulling m'leg.  That's the whole amount of it," he said, suddenly.  "It's a bloomin' shame the way that girl does. 
Why, I've spent over two dollars in drinks to-night.  And she goes off with that plug-ugly who looks as if he had been hit in the face with a coin-die.  I call it rocky treatment for a fellah like me.  Here, waiter, bring me a cock-tail and make it damned strong."

Maggie made no reply.  She was watching the doors.  "It's a mean piece of business," complained the mere boy.  He explained to her how amazing it was that anybody should treat him in such a manner.  "But I'll get square with her, you bet.  She won't get far ahead of yours truly, you know," he added, winking.  "I'll tell her
plainly that it was bloomin' mean business.  And she won't come it over me with any of her 'now-Freddie-dears.'  She thinks my name is Freddie, you know, but of course it ain't.  I always tell these people some name like that, because if they got onto your right name they might use it sometime.  Understand?  Oh, they don't fool me much."
Maggie was paying no attention, being intent upon the doors. The mere boy relapsed into a period of gloom, during which he exterminated a number of cock-tails with a determined air, as if replying defiantly to fate.  He occasionally broke forth into sentences composed of invectives joined together in a long string.

The girl was still staring at the doors.  After a time the mere boy began to see cobwebs just in front of his nose.
He spurred himself into being agreeable and insisted upon her having a charlotte-russe and a glass of beer.

"They's gone," he remarked, "they's gone."  He looked at her through the smoke wreaths.  "Shay, lil' girl, we mightish well make bes' of it.  You ain't such bad-lookin' girl, y'know.  Not half bad.  Can't come up to Nell, though.  No, can't do it!  Well, I should shay not!  Nell fine-lookin' girl!  F--i--n--ine.  You look damn bad longsider her, but by y'self ain't so bad.  Have to do anyhow.  Nell gone.  On'y you left.  Not half bad, though."
Maggie stood up.
"I'm going home," she said.
The mere boy started.
"Eh?  What?  Home," he cried, struck with amazement.
"I beg pardon, did hear say home?"
"I'm going home," she repeated.
"Great Gawd, what hava struck," demanded the mere boy of himself, stupefied.
In a semi-comatose state he conducted her on board an up-town car, ostentatiously paid her fare, leered kindly at her through the rear window and fell off the steps.

Chapter 15

Chapter XV
A forlorn woman went along a lighted avenue.  The street was filled with people desperately bound on missions.  An endless crowd darted at the elevated station stairs and the horse cars were thronged with owners of bundles.

The pace of the forlorn woman was slow.  She was apparently searching for some one.  She loitered near the doors of saloons and watched men emerge from them.  She scanned furtively the faces in the rushing stream of pedestrians.  Hurrying men, bent on catching some boat or train, jostled her elbows, failing to notice her,
their thoughts fixed on distant dinners.

The forlorn woman had a peculiar face.  Her smile was no smile.  But when in repose her features had a shadowy look that was like a sardonic grin, as if some one had sketched with cruel forefinger indelible lines about her mouth.

Jimmie came strolling up the avenue.  The woman encountered him with an aggrieved air.
"Oh, Jimmie, I've been lookin' all over fer yehs--," she began.
Jimmie made an impatient gesture and quickened his pace.
"Ah, don't bodder me!  Good Gawd!" he said, with the savageness of a man whose life is pestered.

The woman followed him along the sidewalk in somewhat the manner of a suppliant.

"But, Jimmie," she said, "yehs told me ye'd--"

Jimmie turned upon her fiercely as if resolved to make a last stand for comfort and peace.

"Say, fer Gawd's sake, Hattie, don' foller me from one end of deh city teh deh odder.  Let up, will yehs!  Give me a minute's res', can't yehs?  Yehs makes me tired, allus taggin' me.  See?  Ain' yehs got no sense.  Do yehs want people teh get onto me? Go chase yerself, fer Gawd's sake."

The woman stepped closer and laid her fingers on his arm.  "But, look-a-here--"
Jimmie snarled.  "Oh, go teh hell."
He darted into the front door of a convenient saloon and a moment later came out into the shadows that surrounded the side door.  On the brilliantly lighted avenue he perceived the forlorn woman dodging about like a scout.  Jimmie laughed with an air of relief and went away.
When he arrived home he found his mother clamoring.  Maggie had returned.  She stood shivering beneath the torrent of her mother's wrath.
"Well, I'm damned," said Jimmie in greeting.
His mother, tottering about the room, pointed a quivering forefinger.

"Lookut her, Jimmie, lookut her.  Dere's yer sister, boy.  Dere's yer sister.  Lookut her!  Lookut her!"
She screamed in scoffing laughter.
The girl stood in the middle of the room.  She edged about as if unable to find a place on the floor to put her feet.

"Ha, ha, ha," bellowed the mother.  "Dere she stands!  Ain' she purty?  Lookut her!  Ain' she sweet, deh beast?  Lookut her!  Ha, ha, lookut her!"

She lurched forward and put her red and seamed hands upon her daughter's face.  She bent down and peered keenly up into the eyes of the girl.

"Oh, she's jes' dessame as she ever was, ain' she?  She's her mudder's purty darlin' yit, ain' she?  Lookut her, Jimmie!  Come here, fer Gawd's sake, and lookut her."

The loud, tremendous sneering of the mother brought the denizens of the Rum Alley tenement to their doors.  Women came in the hallways.  Children scurried to and fro.
"What's up?  Dat Johnson party on anudder tear?"
"Naw!  Young Mag's come home!"
"Deh hell yeh say?"
Through the open door curious eyes stared in at Maggie. Children ventured into the room and ogled her, as if they formed the front row at a theatre.  Women, without, bended toward each other and whispered, nodding their heads with airs of profound  philosophy.  A baby, overcome with curiosity concerning this object
at which all were looking, sidled forward and touched her dress, cautiously, as if investigating a red-hot stove.  Its mother's voice rang out like a warning trumpet.  She rushed forward and grabbed her child, casting a terrible look of indignation at the girl.

Maggie's mother paced to and fro, addressing the doorful of eyes, expounding like a glib showman at a museum.  Her voice rang through the building.

"Dere she stands," she cried, wheeling suddenly and pointing with dramatic finger.  "Dere she stands!  Lookut her!  Ain' she a dindy?  An' she was so good as to come home teh her mudder, she was!  Ain' she a beaut'?  Ain' she a dindy?  Fer Gawd's sake!"

The jeering cries ended in another burst of shrill laughter.

The girl seemed to awaken.  "Jimmie--"
He drew hastily back from her.
"Well, now, yer a hell of a t'ing, ain' yeh?" he said, his lips curling in scorn.  Radiant virtue sat upon his brow and his repelling hands expressed horror of contamination.
Maggie turned and went.
The crowd at the door fell back precipitately.  A baby falling down in front of the door, wrenched a scream like a wounded animal from its mother.  Another woman sprang forward and picked it up, with a chivalrous air, as if rescuing a human being from an oncoming express train.

As the girl passed down through the hall, she went before open doors framing more eyes strangely microscopic, and sending broad beams of inquisitive light into the darkness of her path.  On the second floor she met the gnarled old woman who possessed the music box.

"So," she cried, "'ere yehs are back again, are yehs?  An' dey've kicked yehs out?  Well, come in an' stay wid me teh-night.  I ain' got no moral standin'."

From above came an unceasing babble of tongues, over all of which rang the mother's derisive laughter.

Chapter 16

Chapter XVI
Pete did not consider that he had ruined Maggie.  If he had thought that her soul could never smile again, he would have believed the mother and brother, who were pyrotechnic over the affair, to be responsible for it.

Besides, in his world, souls did not insist upon being able to smile. "What deh hell?"

He felt a trifle entangled.  It distressed him.  Revelations and scenes might bring upon him the wrath of the owner of the saloon, who insisted upon respectability of an advanced type.

"What deh hell do dey wanna raise such a smoke about it fer?" demanded he of himself, disgusted with the attitude of the family.  He saw no necessity for anyone's losing their equilibrium merely because their sister or their daughter had stayed away from home.

Searching about in his mind for possible reasons for their conduct, he came upon the conclusion that Maggie's motives were correct, but that the two others wished to snare him.  He felt pursued.

The woman of brilliance and audacity whom he had met in the hilarious hall showed a disposition to ridicule him.

"A little pale thing with no spirit," she said.  "Did you note the expression of her eyes?  There was something in them about pumpkin pie and virtue.  That is a peculiar way the left corner of her mouth has of twitching, isn't it?  Dear, dear, my cloud- compelling Pete, what are you coming to?"

Pete asserted at once that he never was very much interested in the girl.  The woman interrupted him, laughing.

"Oh, it's not of the slightest consequence to me, my dear young man.  You needn't draw maps for my benefit.  Why should I be concerned about it?"

But Pete continued with his explanations.  If he was laughed at for his tastes in women, he felt obliged to say that they were only temporary or indifferent ones.

The morning after Maggie had departed from home, Pete stood behind the bar.  He was immaculate in white jacket and apron and his hair was plastered over his brow with infinite correctness. No customers were in the place.  Pete was twisting his napkined fist slowly in a beer glass, softly whistling to himself and
occasionally holding the object of his attention between his eyes and a few weak beams of sunlight that had found their way over the thick screens and into the shaded room.

With lingering thoughts of the woman of brilliance and audacity, the bartender raised his head and stared through the varying cracks between the swaying bamboo doors.  Suddenly the whistling pucker faded from his lips.  He saw Maggie walking slowly past.  He gave a great start, fearing for the previously-mentioned eminent respectability of the place.

He threw a swift, nervous glance about him, all at once feeling guilty.  No one was in the room.

He went hastily over to the side door.  Opening it and looking out, he perceived Maggie standing, as if undecided, on the corner.  She was searching the place with her eyes.

As she turned her face toward him Pete beckoned to her hurriedly, intent upon returning with speed to a position behind the bar and to the atmosphere of respectability upon which the proprietor insisted.

Maggie came to him, the anxious look disappearing from her face and a smile wreathing her lips.
"Oh, Pete--," she began brightly.
The bartender made a violent gesture of impatience.
"Oh, my Gawd," cried he, vehemently.  "What deh hell do yeh wanna hang aroun' here fer?  Do yeh wanna git me inteh trouble?" he demanded with an air of injury.

Astonishment swept over the girl's features.  "Why, Pete! yehs tol' me--"
Pete glanced profound irritation.  His countenance reddened with the anger of a man whose respectability is being threatened.

"Say, yehs makes me tired.  See?  What deh hell deh yeh wanna tag aroun' atter me fer?  Yeh'll git me inteh trouble wid deh ol' man an' dey'll be hell teh pay!  If he sees a woman roun' here he'll go crazy an' I'll lose me job!  See?  Yer brudder come in here an' raised hell an' deh ol' man hada put up fer it!  An' now
I'm done!  See?  I'm done."
The girl's eyes stared into his face.  "Pete, don't yeh remem--"
"Oh, hell," interrupted Pete, anticipating.
The girl seemed to have a struggle with herself.  She was apparently bewildered and could not find speech.  Finally she asked in a low voice: "But where kin I go?"

The question exasperated Pete beyond the powers of endurance.  It was a direct attempt to give him some responsibility in a matter that did not concern him.  In his indignation he volunteered information.

"Oh, go teh hell," cried he.  He slammed the door furiously and returned, with an air of relief, to his respectability.
Maggie went away.
She wandered aimlessly for several blocks.  She stopped once and asked aloud a question of herself: "Who?"
A man who was passing near her shoulder, humorously took the questioning word as intended for him.

"Eh?  What?  Who?  Nobody!  I didn't say anything," he laughingly said, and continued his way.

Soon the girl discovered that if she walked with such apparent aimlessness, some men looked at her with calculating eyes. She quickened her step, frightened.  As a protection, she adopted a demeanor of intentness as if going somewhere.

After a time she left rattling avenues and passed between rows of houses with sternness and stolidity stamped upon their features. She hung her head for she felt their eyes grimly upon her.

Suddenly she came upon a stout gentleman in a silk hat and a chaste black coat, whose decorous row of buttons reached from his chin to his knees.  The girl had heard of the Grace of God and she decided to approach this man.

His beaming, chubby face was a picture of benevolence and kind-heartedness.  His eyes shone good-will.

But as the girl timidly accosted him, he gave a convulsive movement and saved his respectability by a vigorous side-step. He did not risk it to save a soul.  For how was he to know that there was a soul before him that needed saving?

Chapter 17

Chapter XVII
Upon a wet evening, several months after the last chapter, two interminable rows of cars, pulled by slipping horses, jangled along a prominent side-street.  A dozen cabs, with coat-enshrouded drivers, clattered to and fro.  Electric lights, whirring softly, shed a blurred radiance.  A flower dealer, his feet tapping impatiently, his nose and his wares glistening with rain-drops, stood behind an array of roses and chrysanthemums.  Two or three theatres emptied a crowd upon the storm-swept pavements.  Men pulled their hats over their eyebrows and raised their collars to their ears.  Women shrugged impatient shoulders in their warm cloaks and stopped to arrange their skirts for a walk through the storm.  People having been comparatively silent for two hours burst
into a roar of conversation, their hearts still kindling from the glowings of the stage.

The pavements became tossing seas of umbrellas.  Men stepped forth to hail cabs or cars, raising their fingers in varied forms of polite request or imperative demand.  An endless procession wended toward elevated stations.  An atmosphere of pleasure and prosperity seemed to hang over the throng, born, perhaps, of good
clothes and of having just emerged from a place of forgetfulness.

In the mingled light and gloom of an adjacent park, a handful of wet wanderers, in attitudes of chronic dejection, was scattered among the benches.

A girl of the painted cohorts of the city went along the street. She threw changing glances at men who passed her, giving smiling invitations to men of rural or untaught pattern and usually seeming sedately unconscious of the men with a metropolitan seal upon their faces.

Crossing glittering avenues, she went into the throng emerging from the places of forgetfulness.  She hurried forward through the crowd as if intent upon reaching a distant home, bending forward in her handsome cloak, daintily lifting her skirts and picking for her well-shod feet the dryer spots upon the pavements.

The restless doors of saloons, clashing to and fro, disclosed animated rows of men before bars and hurrying barkeepers.
A concert hall gave to the street faint sounds of swift, machine-like music, as if a group of phantom musicians were hastening.

A tall young man, smoking a cigarette with a sublime air, strolled near the girl.  He had on evening dress, a moustache, a chrysanthemum, and a look of ennui, all of which he kept carefully under his eye.  Seeing the girl walk on as if such a young man as he was not in existence, he looked back transfixed with interest.


He stared glassily for a moment, but gave a slight convulsive start when he discerned that she was neither new, Parisian, nor theatrical. He wheeled about hastily and turned his stare into the air, like a sailor with a search-light.

A stout gentleman, with pompous and philanthropic whiskers, went stolidly by, the broad of his back sneering at the girl.  A belated man in business clothes, and in haste to catch a car, bounced against her shoulder.  "Hi, there, Mary, I beg your pardon!  Brace up, old girl."  He grasped her arm to steady her, and then was away running down the middle of the street.

The girl walked on out of the realm of restaurants and saloons.  She passed more glittering avenues and went into darker blocks than those where the crowd travelled.

A young man in light overcoat and derby hat received a glance shot keenly from the eyes of the girl.  He stopped and looked at her, thrusting his hands in his pockets and making a mocking smile curl his lips.  "Come, now, old lady," he said, "you don't mean to tell me that you sized me up for a farmer?"

Chapter 18

Chapter XIX
In a room a woman sat at a table eating like a fat monk in a picture.

A soiled, unshaven man pushed open the door and entered.

"Well," said he, "Mag's dead."

"What?" said the woman, her mouth filled with bread.

"Mag's dead," repeated the man.

"Deh hell she is," said the woman.  She continued her meal.  When she finished her coffee she began to weep.

"I kin remember when her two feet was no bigger dan yer t'umb, and she weared worsted boots," moaned she.

"Well, whata dat?" said the man.

"I kin remember when she weared worsted boots," she cried.
The neighbors began to gather in the hall, staring in at the weeping woman as if watching the contortions of a dying dog.  A dozen women entered and lamented with her.  Under their busy hands the rooms took on that appalling appearance of neatness and order with which death is greeted.

Suddenly the door opened and a woman in a black gown rushed in with outstretched arms.  "Ah, poor Mary," she cried, and tenderly embraced the moaning one.

"Ah, what ter'ble affliction is dis," continued she.  Her vocabulary was derived from mission churches.  "Me poor Mary, how I feel fer yehs! Ah, what a ter'ble affliction is a disobed'ent chil'."

Her good, motherly face was wet with tears.  She trembled in eagerness to express her sympathy.  The mourner sat with bowed head, rocking her body heavily to and fro, and crying out in a high, strained voice that sounded like a dirge on some forlorn pipe.

"I kin remember when she weared worsted boots an' her two feets was no bigger dan yer t'umb an' she weared worsted boots, Miss Smith," she cried, raising her streaming eyes.

"Ah, me poor Mary," sobbed the woman in black.  With low, coddling cries, she sank on her knees by the mourner's chair, and put her arms about her.  The other women began to groan in different keys.

"Yer poor misguided chil' is gone now, Mary, an' let us hope it's fer deh bes'.  Yeh'll fergive her now, Mary, won't yehs, dear, all her disobed'ence?  All her t'ankless behavior to her mudder an' all her badness?  She's gone where her ter'ble sins will be judged."

The woman in black raised her face and paused.  The inevitable sunlight came streaming in at the windows and shed a ghastly cheerfulness upon the faded hues of the room.  Two or three of the spectators were sniffling, and one was loudly weeping.  The mourner arose and staggered into the other room.  In a moment she emerged with a pair of faded baby shoes held in the hollow of her hand.

"I kin remember when she used to wear dem," cried she. The women burst anew into cries as if they had all been stabbed. The mourner turned to the soiled and unshaven man.

"Jimmie, boy, go git yer sister!  Go git yer sister an' we'll put deh boots on her feets!"

"Dey won't fit her now, yeh damn fool," said the man.

"Go git yer sister, Jimmie," shrieked the woman, confronting him fiercely.

The man swore sullenly.  He went over to a corner and slowly began to put on his coat.  He took his hat and went out, with a dragging, reluctant step.

The woman in black came forward and again besought the mourner.

"Yeh'll fergive her, Mary!  Yeh'll fergive yer bad, bad, chil'!  Her life was a curse an' her days were black an' yeh'll fergive yer bad girl?  She's gone where her sins will be judged."

"She's gone where her sins will be judged," cried the other women, like a choir at a funeral.

"Deh Lord gives and deh Lord takes away," said the woman in black, raising her eyes to the sunbeams.

"Deh Lord gives and deh Lord takes away," responded the others.

"Yeh'll fergive her, Mary!" pleaded the woman in black.  The mourner essayed to speak but her voice gave way.  She shook her great shoulders frantically, in an agony of grief.  Hot tears seemed to scald her quivering face.  Finally her voice came and arose like a scream of pain.

"Oh, yes, I'll fergive her!  I'll fergive her!"